Writers have long combined elements of the autobiographical and the fictional. Some go so far as to argue that all works of literature necessarily stem from personal experience.Īnnie Ernaux, French feminist who uses language as 'a knife', wins Nobel Prize for Literature Instead, they view autofiction as a “mode” of writing – or as a “strategy” or “lens”. Some authors renounce the label, including Ernaux herself, who views her first-person “I” as a collective self. In short, autofiction blends the autobiographical and the fictional. Though autofiction has a broad and malleable definition, it may be understood as a work of literature that depicts real events from the author’s life, but takes liberties associated with fiction. Less commonly talked about in the anglosphere are writers such as Fatima Daas, Yūko Tshushima and Shahriar Mandanipour. Perhaps you have come across authors such as Karl Ove Knausgaard, Teju Cole, Ocean Vuong, Chris Kraus, Sheila Heti, Rachel Cusk and Deborah Levy. You may have read more autofiction than you imagine. Her work is part of a broader trend in global literature – that of “autofiction”. It is timely that the 2022 Nobel Prize for Literature went to French writer Annie Ernaux.Įrnaux has spent decades writing about her personal experience, moulding aspects of her life into literature, and projecting them into public space.
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